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How loud is too loud

Sound levels at live events

As systems grew more powerful, audience exposure and neighbourhood noise became design constraints alongside coverage.

1980

Engineers asked to act

As early as 1980, a Journal of the AES paper urged audio engineers to take on sound-level limits themselves before regulators did it for them.

Sources, summarised in our own words

  • Live Event Sound Levels (Adam Hill, April 2022) · ProSoundWeb · link pending

As described in 2018

Swiss limits

Switzerland’s sound and laser ordinance sets duties for amplified events from 93 dB(A) averaged over an hour and caps them at 100 dB(A), with stricter duties above 96 dB(A).

Sources, summarised in our own words

  • Minor amendments only to noise legislation (2018) · SUISA blog · link pending

Europe

Different averaging times

Elsewhere in Europe, primary limits cluster around 100 dB(A) but use different averaging times — one minute in Austria, one hour in Belgium.

Sources, summarised in our own words

  • Live Event Sound Levels (Adam Hill, April 2022) · ProSoundWeb · link pending

2020–2022

Standards

In May 2020 the AES published technical document AESTD1007.1.20-05 on managing sound exposure and noise at outdoor events. In March 2022 the World Health Organization issued its Global Standard for Safe Listening Venues and Events, with a limit of 100 dB LAeq over 15 minutes; live-sound engineers helped draft it.

Sources, summarised in our own words

  • Live Event Sound Levels (Adam Hill, April 2022) · ProSoundWeb · link pending

Engineering responses

Controlling where sound goes

See EAW Anya’s offsite-noise use and the rear rejection of d&b’s SL-Series.

Pictured in this passage

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