Equipment file · Compact line source

dV-DOSC

L-Acoustics · 1999

Evidence status · documented

Identity and core specifications are documented; some historical fields remain unavailable.

L-Acoustics introduced dV-DOSC in 1999 as a compact line-source element with 120° horizontal coverage, used alone, as downfill under V-DOSC, or for front fill and distributed systems.

Introduced
1999
Category
Compact line source
Intended use
Touring, installation, speech and theatre
Production
L-Acoustics

Equipment photographs · 1

L-Acoustics dV-DOSC line array

1 / 1 · L-Acoustics dV-DOSC line array

L-Acoustics dV-DOSC line array·JPRoche·CC BY-SA 3.0

Why it mattered

  1. 01

    It brought WST line-source coverage to smaller productions.

  2. 02

    It remains in use decades later, including on Broadway.

Engineering record

Coverage
120° horizontal, WST vertical directivity[1]

Original pricing

No reliable period price located

2026 equivalent

Not calculated without a reliable original price.

Public price evidence was not sufficient to publish a defensible original figure.

Use in the field

Vocal system for the Broadway revival of The Great Gatsby, designed by Brian Ronan, alongside [[l-acoustics-kara-ii|Kara II]][2]

Professional reactions

Later recollection · 2010

Tebb recalled preferring L-Acoustics after working with several systems and using dV-DOSC on UK events, tours and festivals. Those positive experiences led Thames Audio to audition the new KARA, which he regarded as a progression of the earlier system.

James Tebb, Project manager, Thames AudioEarlier dV-DOSC experience recalled during a KARA purchase; not testimony about KARA II or a dV-DOSC launch reaction. · Manufacturer-published case study · Paraphrased account[3]ProSoundWeb · L-Acoustics KARA Chosen By Thames Audio

Manuals & original documents

Sources

  1. 1dV-DOSC Specification SheetL-Acoustics · manual
  2. 2The Great Gatsby is Back on Broadway with L-Acoustics dV-DOSC and Kara IIL-Acoustics · case study · 2024-09-25
  3. 3L-Acoustics KARA Chosen By Thames AudioProSoundWeb · case study · 15 December 2010

Contribute to the record

Know more about dV-DOSC?

Corrections, firsthand information, original documents, and credited photograph sources are welcome.

Your email is private and will not appear in the archive. Contributions are not published automatically.

Help build the archive

A missing piece? A correction?

Contribute to Resonant

Support the archive

Resonant is built one verified record at a time: research hours, archival image rights, and the hosting that keeps every era, equipment file, and citation free to read. If this archive is useful to you, a donation of any size keeps the next entry moving.

How donations are used

Payments go directly to the archive’s editor through Venmo and Cash App. Resonant is an independent project rather than a registered charity, so donations are not tax-deductible and nothing is sold or subscribed to in return.