Equipment file · Two-way horn-loaded loudspeaker system

A-series Voice of the Theatre

Altec Lansing · 1945 series; A7 in 1954

Evidence status · verified

Claims in this file are tied to item-specific sources.

Two-way horn-loaded systems combining cinema efficiency with standardized components.

Introduced
1945 series; A7 in 1954
Category
Two-way horn-loaded loudspeaker system
Intended use
Cinema, theatre, installed sound, and early concert reinforcement
Production
1945 into the late twentieth century

Equipment photographs · 1

Altec Voice of the Theatre catalogue family photograph — A4, A2, A5 and A8 variants, circa 1978

1 / 1 · Altec Voice of the Theatre catalogue family photograph — A4, A2, A5 and A8 variants, circa 1978

Altec Voice of the Theatre catalogue family photograph — A4, A2, A5 and A8 variants, circa 1978·Altec Lansing Technology, courtesy Paul Barello·© Altec Lansing Technology; used for identification and historical commentary
Two vintage coaxial loudspeakers, one facing forward and one showing its magnet and basket

A period Altec coaxial driver illustrates the company's divided-band transducer work; it is not an A7 cabinet.

Duplex coaxial loudspeaker·Author unknown·CC0

Why it mattered

  1. 01

    Standardized a high-efficiency, divided-band loudspeaker system at a time when amplifier power remained costly.

  2. 02

    Its A7 variant moved readily from cinemas into studios, stages, and early rock reinforcement.

Engineering record

Topology
The large systems combined horn-loaded low-frequency cabinets with compression drivers and multicellular horns; later A6 versions used a Mantaray constant-directivity horn.[2]
System approval
Altec literature records Academy Research Council approval for motion-picture reproduction.[1]

Original pricing

No reliable 1954 US list price located

2026 equivalent

Not calculated without a reliable original price.

A Japanese reference records later market prices, but those figures are not presented as the original US launch price.

Use in the field

The high acoustic output available from modest tube-amplifier power made the series useful before purpose-built touring cabinets became common.[1]

Professional reactions

Later field experience · September 2020 (reprinted 14 June 2021)

Dorsey preferred Voice of the Theatre variants with 1-inch compression drivers and a 500 Hz crossover, judging that they kept crossover artifacts farther from the vocal band. He contrasted this with a cinema installer’s preference for the more robust 288, illustrating the trade-off between sound and survivability.

Scott Dorsey, Audio engineer and regular audioXpress contributor; worked in broadcast/recording and does live acoustic concert recordingModern restoration and listening experience with A5/A7 variants, not a 1945 launch endorsement. · Independent firsthand source · Paraphrased account[3]audioXpress · Altec Lansing's Voice of the Theatre Speakers - What You Need to Know

Manuals & original documents

Sources

  1. 1Voice of the Theatre manualAltec Lansing · manual
  2. 2Voice of the Theatre systemsAltec Lansing · brochure · 1983
  3. 3Altec Lansing's Voice of the Theatre Speakers - What You Need to KnowaudioXpress · interview · September 2020 (reprinted 14 June 2021)

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